Kicks Condor
09 Oct 2018

Reply: Brad’s Directory Project

Brad

Despite my earlier protestations, I am working on a web directory project on a different domain.

Thread about building link directories—sounds dry, but I am all about this right now.

Cool, cool. 😎 Hearing this has made me ramp up my work on mine as well. Looking forward to linking to each other when we get there.

I am nearing 200 links in my directory—that I’ve snapshotted and summarized—and my attitude toward the directory has changed a bit. At first, I simply thought, “Oh, I’ll just put any link in there that I like.” Which basically turns it into a big list of my bookmarks. (Which is fine—if it’s useful to me and helps the sites I really enjoy, then that’s a good angle to start with.)

However, I’m starting to see that I’m actually attempting to paint a picture of the Web—making a map of it, right? And so I’ve started branching out and including stuff that I may not visit all the time and that I may not even like, because I’m trying to show how ‘wide’ the Web is. As a result, I’ve started including a lot of controversial links across the spectrum of humanity—in order to make the directory more about the Web than it is about Me. (I’m a very passive person, so I tend to rule out posting anything inflammatory or controversial, because I have no idea what the ‘right’ side of an issue is and I just would usually rather not deal with it.)

Ok, so, it’s interesting how your previous sci-fi and horror directories weren’t at all about your preferences, but about mapping out a community. This is a lot tougher with a general-purpose directory because the Web is so big.

So, yeah, I wonder what your criteria are for what you are including. And what your mindset is while you are collecting and editing. I think it would be useful for us to write our thoughts so we can give some advice and encouragements to others who want to build their own web directories.

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Reply: Verify and T42T

h0p3

I care about {Verify}. That doesn’t mean I’ve built it well or correctly. But it’s important to me that I can sign my wiki. This wiki is epicly portable, and I think signing makes good sense. Your tool makes signatures a bit more complicated, and I ask for your advice.

I realize you’re writing a draft 😉 but I’m going to say make a few squeaks and then go back to work.

So, {Verify} should actually be pretty trivial to add. Since the diffs are generated by this script, there would just need to be a step added to generate the .sig file (or add the hash to the .json file—the hash could be used by the loader to do the check there.) I will work on adding that soon—because my curiosity is peaked enough.

I fear I fail to T42T both you and kickscondor by failing to reciprocally build a useful tool for you. I’m trying to think of how I can contribute to your lives and art as much as you have for me. I apologize for not knowing how to do that. I feel inept like someone who doesn’t know how to buy a good Christmas present for their friend (and that makes me a bad friend). I don’t know you well enough to figure out how to create a gift that you’ll love and use. I’m sorry! I’m thinking about it.

So I think this is one of the possible misprojections of T42T—it leaves someone in ‘debt’. It is a very rational approach to relationships, because it reduces the interaction to numerical totals. But those numbers are very hard to derive—how much is the script I wrote worth? 2T? 3T? 16T? And how much are the thorough, immensely thoughtful replies that you write? Is that 2T? 53T?

Oh and: does 2T literally mean double? Or is it just a bit step beyond single T?

And–what is T? Does T represent “your last set of actions” in our relationship? So, if you just pulled off a 2T (doubled my T)—T is now 2T, expanding 2T into 4T from now on.

My take is that T is simply a ‘neutral’ action. It is a token of cooperation—it is not measured. I realize that 2T and perhaps even plain T imply a measurement, but I think that (might be wrong) measurement requires too much maintenance and is too difficult to sync (how do we keep our measurement identical?) so I see T as ‘neutral’ and 2T as simply ‘positive’—it will be hard enough for us (humans) to agree on the polarity of a T. So maybe let’s start there.

This way a simple ‘thank you’ for a massive gift can still be T42T. (If I were to remove the numerals: I might look at T4T as neutral-for-neutral and T42T as neutral-or-positive-for-positive. The question then becomes how to derive a polarity for an action—which brings us back to ‘the moral imperative’ and ‘the golden rule’ and the rest of THAT discussion that you are having.)

I’ve also read Grim Trigger, but I’m not talking about a recovery strategy in case T42T becomes malignant—this about how to do it in a realistic but generous way. To live it sustainably in a relationship like ours (it’s a tentative, nascent arrangement; but I think we both just want to make it work long-term.)

At any rate, I hope that riffing on your thoughts counts as a plus; your thankyous are sufficient and your generous replies are 2T always!

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Reply: Webmention Improvements on Micro.blog

Manton Reese

Improved replying on Micro.blog to send Webmentions to any external site in the reply chain, not just the root post. This more consistently allows replies to be copied to multiple external blogs that are participating in the conversation.

Sweet! So this works identically to Salmentions?

Ok, let me see if I’ve got this right—if I reply to a reply that’s later in the chain, I try to track down the original post like this:

  1. Load the URL I’m replying to.

  2. If it has an u-in-reply-to link, load that page (repeat step 1 & 2, ad finitum).

  3. Once I hit the end of the chain, I am left with an array of the reply history.

This should work on micro.blog because the only actual h-entry on a reply’s permalink is the ACTUAL reply—the other entries shown on the page are just posts that won’t be picked up by the microformats parser? Pretty interesting approach.

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05 Oct 2018

Reply: Discombobulated Blogroll

Cool—found your blogroll. This is great! I especially like the links to your diary-x blog. Really wanted to check out your links page from back then, but there appears to be none archived. (I also really appreciate your links to Blot things—was unaware of Blot.)

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02 Oct 2018

Reply: Strategy: Minimize

Tim Swast

Neat idea. My strategy has been to minimize the amount of shared headers and footers. Your method seems much more flexible.

Took a look at your blog—it’s sweet! I will be sure to include it in my next href hunt. I enjoyed the article about Dat and am interested in finding others who write about practical uses of the ‘dweb’—unfortunately, many of the links on Tara Vancil’s directory are ‘broken’ (perhaps ‘vanished’ is more correct?) and I’m not sure how to discover more.

At any rate, good to meet you!

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Reply: Owning Your Content

This is a great article! It follows all of the same things I put in my reply—which makes me nod my head, for sure—but it also goes into much more detail and thought, which I very much appreciate.

The war against the word ‘content’ is also rad. Yeah, keep that up.

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29 Sep 2018

Reply: The Narrows

h0p3

Very cool! My Recent pushes edited tiddlers to the top; I am not yet convinced your tool has the same behavior.

If it doesn’t, it’s a bug. I use the mtime of the post’s file to arrange these, so I cannot sneak around it. If you can give me an example of the difference, I would really like to know!

Thank you for the Robustness principle. It’s beautiful.

I’m glad you see it! I find it very profound—however, it is also somewhat cliché you could say, because it is only another sighting of ‘yin’ and ‘yang’ in the system. (I say ‘cliché’ not to belittle it, but to underscore how commonplace this strain of epiphany seems to be in the ‘eastern’ ways of thinking. I often think of the expression ‘if you meet the Buddha, kill him’—how do you both attempt to follow an archetype and to avoid archetyping that ideal too closely? But it does seem wise.)

I wonder if you can also help me find some philosophical discussion about dichotomies and tradeoffs. For example, I find both socialism and capitalism very appealing—I truly can’t say which I prefer. I like that the library exists; and I like shopping for boots. I know there is a lot of negativity around this dualism (“this isn’t free-market capitalism”/“socialism hasn’t really been tried”) except that there seems to be respect for Denmark which has both free markets and high taxes, which certainly looks dualist (pluralist?—not sure the proper term) to me.

So I wonder where in literature I might look for more about living/thinking pluralistically. My friends seem to see it as being hedonist, non-committal, ‘lukewarm’ and impossible. Well, yes—but it’s much more than that. It’s pluralism after all.

I want to apologize for my constant ninja-edits. I have a thousand evolving things to say to you, and my drafts are just never done (as you have probably noticed).

Change anything you want! You have my full trust. We are in a process of mental and lingual refinement. The tradeoff here is that I won’t be responding too closely to your words. I am going to not pick them apart—unless I want to tease out more understand or to encourage further ninja-edits.

Had to look that song and lyrics up. I keep an almost full size oil canvas reproduction of The Starry Night about four feet to the left of my desk.

Yeah I guess now that I think about it, my thoughts were more on the painting than the song. But both are very intertwined for me. I had an uncle die of AIDS in his twenties. I was in third grade at the time. He was the rare uncle who is a friend—and he was a sensitive and stylish person. He was a painter and this was his favorite painting. My first experience crying emotively was when this painting and the song came on to the screen during a school assembly in fifth grade.

I felt that he was ‘trapped’ in the painting—I looked into it and saw him. And also did not see him—just the dark, brilliant world without him. So he was also ‘free’ in the painting. I knew of Van Gogh’s troubled end and this added to the swirling spectre. It was as if the appearance on the screen of this image was an appearance of them—an impressive outward display of their presence in my soul. (Of course this was just a random slide that was thrown in there—I knew that even at the time, but it was as striking as if their photographs had been displayed.)

I am not asking the same from you, since I consider it unreasonable to ask it of you (but not of myself here). I hope to ‘go with the flow’ of your conversational style.

This, along with the coincidence of the painting by your desk, is immense common ground for us! The principle of “my rules don’t apply to you, but you are free to look through them” (is this accurate?) seems woven throughout your wiki and I try to adhere to this perspective, too.

I’m considering adding compression internal to TW, but it violates my goal of keeping the source maximally readable. Unless I go for some alternative non-TW oriented loader, I’m like 99% sure I’m just going to stick to gzip and make people patiently wait (probably good for bouncing impatient trolls as well).

So you don’t want to separate the wiki into separate pages? Or can’t? I thought there was a way of splitting tiddlers up. Or exporting or something.

The monolithic file is the central issue I’d think—it contains an opaque filesystem. This is convenient for a lot of reasons: editing, transporting, searching.

I have started a prototype for an idea I have—I will report back to you next week with some results. If I can somehow get access to some snapshots (say the last month’s worth)—that would be very useful.

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26 Sep 2018

Reply: Ham and Cheese is Key

Ron Chester

Even with Facebook, the hated silo, I have posted some brilliant things over there about Bob Dylan over the years. As far as I’m concerned, I own all that content, regardless of what their TOS says. I would have no backoff at all on posting those same comments here. […] I think the emphasis around here should be to write, write, write. Don’t worry too much about the technical nuances or the careful splitting of hairs in the definition of terms. Just write blog articles and post them. Repeat. Repeat.

Mmmnhmm—ok, good, good.

See, now I just really want to read your Bob Dylan stuff. I watch Don’t Look Back like once a month. Wish I could have experienced those days.

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Reply: H0p3styl1n6

h0p3

The CSS fragment idea is very interesting; it celebrates and signifies our participation in each others’ identities and work. It is a gift to try to represent someone’s aesthetic point of view or voicestyle in quotation. It’s like reading a letter in someone’s handwriting that you’ve seen many times before, conjuring memories like the smell of cinnamon rolls.

Ok, great start to our discussion about styling citations from each other in matching CSS.

I am sending this reply with a musky pork pie smell. See the attached WIFF file.

Yet again to my ignorance: I clearly do not appreciate Art as well as others. I’m an uncouth pig here. I love consuming it as a drug, and I’ve (very poorly) made plenty of it before. Trying to emotionally communicate the cognitively ineffable is something I do take seriously (enough to be very particular about it). Forgive me for being the joyless buzzkill rhetoric-hawk.

Ha-ha! Well, you are becoming very endeared to me, hawk. And you are right to keep us all in check. The buzz that you do kill—and it’s certainly not a buzzard-sized buzz—is not any buzz that was killed just 'cause.

I’m especially interested in form as it relates to function; I want something productive (pleasant workspaces help me work, of course). I don’t think I’m obsessed with minimalism (though I appreciate it), but rather plainness irwartfrr. If it works and it looks good enough: cool, I like that. I’m the kind of dude that will buy 5 identical shirts if I know they are cheap and comfortable. I want the majority of expressive work in my wiki to be in my words. Ideally, I want my words to carry as much of their meaning as possible without relying upon appearance (which I think can be nearly all of it), and only then do I want to work on appearance beyond as function as the delicious bonus.

Oh, I see this in you and I applaud it—loudly, standing—an ovation which goes in a great arc, knocking over the drinks of everyone else standing around me. (Part of this ovation is a simple appreciation of your last epic missive, which is due.)

I only side more toward art because I get so much out of it. I can’t think of a reasoned argument that has transfixed me as much as “Starry, Starry Night” has. And I don’t reach for a reasoned argument when life has fallen apart, but for Neil Young. (I am not arguing with you here—I know you have these things, too, and that you love cartoons and songs and shows and all that. And, come on—you are nuts for ASCII art, amirite? Alas, I also do fall into the trap you’re talking about of form over function.)

Alright, so with all those caveats in mind, we may end up doing this all by hand and passing tiddlers around—I’m also going to play with some styled RSS tonight and see what happens. And we’ll toss some ideas around.

One thing I know for sure: I don’t want to go too crazy on fonts, because I don’t want readers to have to load ten Web Fonts to make this work. That would be EXACTLY fonts over functions. But the basic colors and stuff—worth a try, yeah?

(One time you asked if you should read Vigoleis—no, don’t. He’s mine. And it’s like Infinite Jest, it will take you way too long to read and you’ll never want to read it again. Infinite Jest also wasn’t for me.)


Oh, also, from the footnote:

In a blind, stripped-down test, I’d prefer to make it so even a paraphrase of something I’ve said would evoke: ‘that sounds like h0p3’ or ‘h0p3 would like that’ or ‘you know who probably wouldn’t stop blathering on about this if he were reading this with me right now?..h0p3’ or ‘omg, this sounds like that asshole h0p3, lol.’

I feel this way about the words, too, for sure—but also the appearance. It’s like remembering The Three Stigmata of Palmer Eldritch for both the chitinous foreheads inside and the orange-red cover of the bug-eyed man with the robotic hands. It all comes flooding back like that.

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25 Sep 2018

Reply: The Kid With My Car

Ron

Food for thought. Suppose you bought a shiny new car, then flew to Seattle for a business meeting, leaving it at the airport. Do you still own the car while on the plane at 24,000 feet? What if you give the keys to a kid for valet parking out in the Avenues and he parks it somewhere in the neighborhood while you eat, so you don’t have any idea where the car is and don’t even have the keys. Do you still own the car while you’re eating your ham and cheese?

Haha—ok, well, I definitely own the ham and cheese! Am I close??

With my car, it depends on the legal jurisdiction, the name on the title for the vehicle, the ability of the government to enforce my ownership—and maybe ‘owning’ a car isn’t nearly as important as ‘controlling’ it.

I wonder if that might be the issue here with Micro.blog—perhaps Belle feels like she can’t ‘control’ her stuff enough. I guess I’m trying to draw a parallel between the public_html directory and Micro.blog. If a platform ultimately just feels like a folder that I can sync ‘in’ to and ‘out’ of—then I think it reaches the ideals of ‘ownership’ and ‘control’ on the Web. But that’s me—am I missing something?

(This is also clearing up why I’m seeing TiddlyWikis spring up—that’s a platform where EVERYTHING is local and is likeliest to have longevity because it doesn’t rely on ‘anyone’/‘anybiz’ else.)

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Reply: Worried About the Title

Manton Reese

I was worried when I saw this title until I realized it was a reply to another post.

Oh boy—man, I am sorry! FWIW I think you are doing great with micro.blog. I already have my own setup and I’m just glad I can still participate in the network from the outside. What a gift! I actually think you’ve figured out a great way to keep the Indieweb humming AND build a nice smaller network. You deserve a lot of encouragement—and Belle could use it, too, I’m sure. It’s difficult to build these things.

I think the larger problem right now is that there are so few good choices. This puts a lot of pressure on you and your team. But I think that your work could encourage more small networks like this—just as you said in your recent post. This all takes a lot of patience to wait out. Let’s hope you, Belle and the rest of us can see this through. Peace, brother.

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Reply: Highlights of Web Directory Building Past

Brad

I’ve built a lot of different niche web directories over the years. Frankly there are some that I have forgotten about. But here are some highlights.

A little directory of personal directories—sweet!

Ok, this is seriously insane! What a ton of work. Serious respect for your past lives in directory building!

Couple questions:

  • How much fanfic did you read while building these? I guess I’m wondering how much of this job bordered on literary critique or editing.

  • Scifimatter refers to ‘HipRank’ in the links—what was that? It seems that you used this to order the links.

  • You say on Scifimatter that you want to help ‘the surfer’, the ‘amateur and semipro websites’ and—most importantly, perhaps—to ‘encourage fans of SF/F to start their own website’—did this play out? (These are definitely my goals, too—I wonder how to accomplish them.)

Also, I’m a pretty big Godzilla (and monster movie, Kaiju, Biollante) fan, so I loved looking through those links on the Planets Doom. Also, I have to say: it’s impressive that many of the outgoing links in the directory STILL work thanks to the thoroughness of the Wayback Machine! Another benefit of static HTML—even if these directories are static versions of the original dynamic ones.

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Reply: Million Short

Brad

This is a search engine that lets you dig deeper into the search results. It lets you exclude the top 100 to 1 million most popular search results, getting you into the deep meat of the web.

Tremendous ‘search engine’ discovery!

What a tremendous discovery! I’m really impressed with this and am already finding it useful. I think this is the first search engine that I’ve been excited about in a decade.

You’re doing fantastic work, Brad. New discoveries all the time. Way to surf!

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Reply: Why I’m Leaving Micro.blog

Belle B. Cooper

First, Manton’s business model is for users to not own their content. You might be able to own your domain name, but if you have a hosted Micro.blog blog, the content itself is hosted on Micro.blog servers, not yours. You can export your data, or use an RSS feed to auto-post it to somewhere you control directly, but if you’re not hosting the content yourself, how does having a custom domain equal self-hosting your content and truly owning it?

Couple questions about ‘owning’ your content on the Indieweb.

A few follow-up questions to this:

  • In the old days, when an ISP (or your college or whatever) would give you a public_html folder to put your website in—did you own your content?

  • In modern times, when you rent a virtual server slice to run Apache and serve your website from a Wordpress database—do you own your content?

  • If you put up an essay on a pastebin site—do you own your content?

I don’t really see the difference between using FTP to pass your stuff ‘in’/‘out’ of a public_html folder and using Micro.blog’s API to pass your stuff ‘in’/‘out’. If you can get your stuff ‘in’ and ‘out’—isn’t that the key? The API is just a different kind of FTP.

The public_html folder isn’t owned. The virtual slice isn’t owned. The domain isn’t owned. The pastebin isn’t owned. The API isn’t owned. What does it mean to ‘own’ anyway?

This is one thing that is really cut and dry with Beaker Browser. You do own the content because it originates directly from the machine under your fingers that you own.

(Not trying to defend Micro.blog or weigh in on the other interesting matters of this post—perhaps I should just shut up—just thinking about this one thing.)

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Reply: Where Will the Current State of Blogging and Social Media Take Us?

Jacky Alciné

Using these isolated services make it hard for us to express ourselves in the days of MySpace (for my generation) or even further back. It has created ingenuity in terms of content production within these constraints but the act of being forced in a box for the sake of revenue reeks of that post-industrial content creation farms.

Your blog has been a big inspiration to me because of its design. Part of it is that you’ve used color and photography to craft a unique place. It’s nothing like a ‘a revenue box’—it’s like a lovely novel that stands out on the shelf.

And it goes beyond aesthetics and colors—it’s well-structured. (I really like the metadata section you have on each post. The layout is appealing and it makes me want to explore your site.) Sure, if I’m posting all pictures all day, then Instagram might have everything I need. But what if I’m writing essays and conducting interviews—I want to have the freedom to structure that data so people can find their way around. (In a way, I’m saying that I want to own the ‘algorithm’—I want to just do it by hand.)

And, yeah, I was using Jekyll, too—and left it partly because I want to start doing more blogging outside of the console. I think the Indieweb toolset is still so far behind social media’s—this is why people generally don’t hang out here.

I don’t know what existed before hashtags outside of planets but those two concepts were ways to find people and content on things you were interested in. Reddit’s plumbing is built around this notion. Twitter is compartmentalized around this notion too. Even platforms built on the notion of decentralization and federation uses a centralizing tactic of federating hashtag content to build community. It’s a bit inevitable.

Really great observation here. You’re right—we don’t have a way of tagging and community forming in the Indieweb. I have been building Indieweb.xyz as a way to kind of do this—but it’s hard to know if the approach is right, it hasn’t managed to draw people in. Maybe we need a crawler you can sign up for that will index all your tags and hook us all together.

This thought of yours also brought me to the rel=tag page, which I hadn’t seen before. Not sure what to do with it. Perhaps brid.gy could start adding these hashtags to syndicated posts? Don’t really know.

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21 Sep 2018

Reply: Steelwomaning

The text of my second private reply to h0p3’s ‘hyperconversations’—I am saving my own copy of this here after many days have passed.

(This letter was previously sent privately to h0p3, since I felt that I had bungled up a productive discussion. Now that I can see the overall waveform of our discussion, I think there are many things I’m learning about conversing through writing and reading—in fact, I really think my failures so far are more the failures of input rather than out!—and this immense dialogue is becoming a satisfying start to all the dialogues I would love to have with more of you out there!)

(Apologies in advance that I do so much talking here—I swear I’ll never write anything this long again. No one should feel compelled to read this. I will shut up and go back to silent, stoic reading for the rest of the weekend.)

Hi h0p3-

So I am going to try to rewind and do as you say: to take a better shot at addressing your part of our ‘hyperconversation’. I am sending you this as a private letter so that you can censor it if you like. I feel like I am starting to border on a troll of some type 😉 and feel like the nature of my blog would turn this into a type of ‘broadcast’ that can still receive ‘thumbs up’ and such sordid things. (Ed.: You can comment on this post, but ‘likes’ and ‘mentions’ are disabled to respect this sentiment!)

I hope I can preface these remarks—even if it seems like a bad idea, because it can perceived as changing the topic, taking time away from the ‘meat’. I will get to the topic(s)—but I wonder if some other items might be more pressing (might even be the ‘meat’) because it seems they might be preventing the main discussion from occurring fruitfully.

On Being ‘Intellectual’

Ok, so stepping back—I’ve jumped headlong into a discussion with you. (And might I just add: this is a rare opportunity for me and I feel fortunate to have the chance to converse—for you to respect my communications enough that you will give them the thought you have. I have NEVER had the opportunity to correspond in a strictly written way with anyone ever before—to attempt to come to an understanding with them—hmm, well, maybe once, but not to this extent—and this whole time I am wondering if the medium has its limits. I guess this is where Socrates chimes in. Well, of course it does—but I am probably the largest of those limitations—and that feels good. Perhaps my ability to write will strain under the pressure, perhaps yours—and it requires even more of our abilities to read and internalize each other’s writings! For this reason, I would like the conversation to remain written and for us to find some kind of resolution this way.)

This correspondence has had about three major episodes from each of us. I saw this encounter as a foray into a ‘pen pal’ type thing—which is to say: ‘informal’, ‘inconsequential’ and ‘probably frivolous’. (I hope you will let me say all three of those things in good ways, very good ways. I also admire that you are reaching out through/with your autism to speak with me—I do worry about aggravating your own pain, of putting you under unreasonable expectations of my own and of not seeing the full picture of ‘you’—who you are past ‘h0p3’. But only if you need it—I would rather just see ‘h0p3’ for now—this creation is by design and I intend to take it in.) I don’t feel that I want to ‘wrestle’ —I want to ‘pen pal’. After all, this is a work of fiction. The contents of this letter are products of the reader’s imagination. This letter is for entertainment purposes only. Although the form of this letter is autobiographical, it is not. Although this letter may appear authentic, it is not. What appears to be ‘wrestling’ may actually be a new type of sophisticated ‘pal’ engagement maneuver.

Now, I am not an intellectual by any stretch—I have idea no who Kierkegaard is and I can’t keep Kant and Hume straight. I do read a lot—fiction by a wide margin. I do read Vygotsky and Piaget and, sometimes, Jung. Of all the philosophers, I am most fond of Socrates—and feel a brotherhood with you through him. But the writers that I spend my time on are fiction writers - Albert ‘Vigoleis’ Thelen is someone I speak to in my mind very often. To call out to him: ‘Vigoleis’ when I see his place in the world. Denton Welch and Robert Walser are like this for me. But even these closest—I cannot speak intellectually about them, only romantically.

So yes—I think you want to have a philosophical debate with me, but I am not equipped to do it. And I wonder if it is possible at all. I can’t read all those guys and read your wiki and read the things I want to read and pursue my current ambitions. I don’t think you want to have this discussion unless I am an equipped intellectual. We are both trying to sing and shatter a glass—but your voice is trained. So while I might still be the one to shatter the glass here and there, it’s a hell of a lot more painful having to hear my notes along the way. So this is my opening question: am I misrepresenting what this discussion is—and what do you want out of it? (In a way, I feel I can almost ‘steel’ this because of the statement: “There is a lack of fairness in the dialectic here; I’ve had way more practice thinking about the nitty-gritty, and I must be extremely cautious not to assume others can or will see what I do.”—I agree with this and I feel like I am only fleshing it out further above. And this: “I can’t see far enough to know if he can see what I’m saying (which is a fairly technical claim in moral philosophy).”—I don’t see it, I had no idea there was some central claim to ‘hyperconversations’—I thought it was a series of different claims with some riddles mixed in—which is, I think, where the central claim is nestled? “I am failing this man.”—Dude, I don’t rely on you—I have my own system of living—I’m not just an imbalanced pinball lost in your machine! 😄)

And this: “Hedonic Kierkegaardian Aestheticism is here; it’s inaccurately factored into the eudaimonic calculation.” I’m not going to even try to parse this—if I tried, my reaction would be: I don’t feel like my aestheticism is hedonic at all, but quite virtuous! So I think your phrase is going to be misunderstood by me and I am just going to sound ridiculous. 😄 Perhaps this comment is not meant for me but for the audience, k0sh3k included. (Hey kid! If you exist! Hey! I /will/ you to exist for a single ‘Hey there!’)

Some classic Romanticism in here. Reminds me of that fighting phrase: “Brawl a boxer, box a brawler.” I’ve seen this shift many times against my arguments.

I do think we are paired as boxer vs brawler. That was what I trying to say when listing out some of our opposing polarities—you are codifying me in your statement above as well—no harm, just part of trying to understand someone. I don’t feel that you are degenerate and I don’t think you (yet) believe that I am either. I don’t sense that you are trying to assimilate everyone as boxers. But I do think that not being a boxer would forfeit my scrappy end of the ‘wrestle’ or ‘debate’ side and leave us to the ‘pen pal’ aspect strictly.

This is not a small aspect: while I have not been charitable with argumentation, I believe that I have been charitable with the effect you’ve had on my own work and charitable with the credit I give you for stirring up my inventive mind and stimulating me to materialize it. This will last beyond an argument.

For my part: I am not as interested in some of the topics we’re touching on: stuff like emotion/reason (I have spent almost no time thinking about my arguments there, I am going off half-cocked and I do appreciate/embrace your sayings), what ‘the good’ is (I am trying to figure out what the thrust of our discussion even is, man I can’t even begin to sort that out) and even T42T—I still think they are all very worthy topics, but I don’t think I’m your foil on those. I agree with you that I should be required to defend my ethics—but I also don’t have a list on hand like you do—and it’s changing too much for me to even know how to nail it down. I like the part which explores the texture of our online avatars, but even there—I think I need to sit in the presence of them longer before trying to mouth off about them.

On ‘Sadness’

I am going to try to make this quick and to the point—which isn’t “you can’t make me sad” but that “momentary sadness doesn’t register as much when there are more permanent sorrow in place” something like that.

But what’s so bad about this sorrow anyway? A woman crossed the street yesterday, waving to me, so I stood and waited for her. She said she knew someone—a name I recognized. She was pleasant and warm to talk to, so we talked. She said that her son had been murdered many years ago. If you just listened to her for five minutes, you would have thought she was insane. Very pleasant and insane. In a good way, a very good way. A whirlwind of details about trajectories and cover-ups. But if you listened for an hour, you could finally she her—and her sorrow. It wasn’t disgusting or repulsive—but familiar and natural. Just a sorrow—as plain as a pleasantness.

I wanted to show her something in the yard, so I motioned for her to cross the gutter—which is quite wide and was rushing with water—it’s more of a canal than a gutter. But her legs were short and she said, “Oh I don’t know.” I held out my hand and she made a move to try to cross. I realized that she was wearing flip-flops and trying to avoid some spiky weeds. I held out both hands—I probably shouldn’t have tried to persuade her—I don’t know, I began to pull her across and she kind of panicked and made a squeal! She stumbled over—she made it—and we laughed out of relief and I felt stubborn, but it was good to move abruptly from sorrow to laughter like that. Like we had come up for air. We are still in the ocean but we are in the air too.

And I wouldn’t like it if you held back some criticism. I should love to be rebuked! When you are in the freezing ocean, it is probably the best time to hear that you have made a grammatical mistake. What a helpful distraction that could be! And you may never forget to make it again.

And children, when they are rebuked—so often they simply drop their head down and say slowly, ‘Ohhh kay…’ For me, this embodies such an ideal—first, to acknowledge that criticism DOES sting, direct criticism truly can, possibly always does, it makes us drop our heads to hear—and, secondly, to simply ‘ack’ the criticism with no further commentary or defense. Perhaps to go without defense would be too submissive—on the other hand, can we endure any criticism as adults? Any?

I probably am doing my own sidestepping and defensiveness of criticism in this letter. I do know I am better to just drop my head and say slowly, ‘Ohhh kay…’

All of this context to say: I realize you aren’t making fun of me at all here, and I appreciate that very much.

Yes, but if we can find a way to truly make fun of each other—wouldn’t that be such a grand achievement?

On ‘Hyperconversations’

The shadow over our eyes is a serious problem: I believe it costs us the ability to be cognitively and emotionally vulnerable (even to ourselves). We don’t really get to know each other when we are engaged in good opsec (that’s kind of the point). The public/private adversarial tension does seem contradictory, but I hope to find a middle way; surely there is a linear logical framework from which geometric social cooperation can arise (I must hope).

Continued here:

You can always doubt, and you can only ever improve your Bayesian odds. The inductive step in trust is a leap of faith in Humanity, in The Other, sir. Building trust and real relationships is exactly why I reveal myself to you and everyone else. I want people to see how I conduct myself and my relationships across the board.

And then:

With diamond balls, I really aim to be practically transparent in my practice of saying what I mean and meaning what I say directly because my integrity is at stake.

And also:

We are each cameras, in a sense. I think of this wiki as an external, reifying camera of my internal camera states. I do hope to wield both wisely. I do not think I morally own either of them all the way down except insofar as I am constituted by (exist as an extension or instantiation of) The Moral Law.

If I were to try to identify this central ‘claim’ you are making and to ‘steel’ it: You feel that true and real relationships demand radical transparency. More than that, you see it as a virtue—embodying bravery, integrity and honesty. You see it as a direct solution to prevailing mistrust and misunderstanding in the world. You model this behavior for others.

To you, h0p3, this has a blissful and fortuitous collaboration with modern surveillance. You aren’t saying, “What do I have to hide?” It seems that you are saying, “You can’t make me hide.” And I do not think you do not see it as the ‘correct’ choice—you seem to acknowledge that it is a trade-off—but that you are willing to pay the price. But you believe you have sorted it out: you do believe that the reward will always be greater than the price.

Am I in the ballpark? I don’t really know how to do this!

To this, I have no response. I can only hang my head and say slowly, “Ok Mister H…”

I felt no need to respond to that claim after the letter—I found it well-reasoned! I did wonder how much of it is grounded in the tech ideals of ‘open source’ and ‘gratis’/‘libre’—I’ve had other tech friends dabble in transparency (sharing bank account info publicly, cataloging life activity publicly.) I stand by what I said:

The remarkable thing about your wiki is that you have turned your camera on. In fact, your wiki is defiantly personal—I think it goes beyond a mere camera. Your history. Your conversations. Your letter to your parents. Your thoughts about people—about me. A person can turn on a camera and never say these things. You are on to something. I have no desire to talk you out of it.

I realize now that saying nothing is a failure. You need an ‘ack’. Even if it is a repetition.

I think there is something unanswered here, though: Do you have any adaptations to ‘Gentle ClearNet Doxxing’ after the events of the last month? I have wondered if you were going to write more about this—maybe I missed it. To stand by a rule too doggedly is to be—well—dogmatic. Or has the rule functioned properly? (On the other hand, I might also aspire to be dogmatic about FOSS - just for myself and not for anyone else.) Feel free to just link me to the correct answers that I cannot seem to locate.

Ok, that is the end of this letter. I ran across the “business card” page on your wiki while researching “transparency” and loved it.

-kicks

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Reply: Good Ole Static HTML

Brad Enslen

You did lead me down a rabbit hole: I searched around and found that Seamonkey is still free and still has a working copy of Composer, the WYSIWYG HTML editor, so I downloaded it since I have a Windows computer now. Just in case. WYSIWYG is pretty much my speed in HTML.

Seamonkey is still alive?

I saw that on Wikipedia, but thought it was probably old and didn’t pursue it. But, hey, sure enough! This isn’t bad at all—it loads my site (seemingly perfectly) and allows me to straight-up edit the whole thing. I wonder if it would be difficult to merge this into Beaker somehow… (This plainly uses contentEditable—which makes me realize that I’m quite wrong—there are some lingering read-write features latent in Chrome, Firefox and so on.)

I’ll research what Jekyll and Hugo are, I’ve seen them mentioned.

I wouldn’t go too far into either of these. I previously used Jekyll, but it got too slow for me to regenerate all my HTML. Hugo is faster, but configuration is just too difficult. There is nothing yet as simple as Wordpress. I’ve ended up writing my own because Indieweb features had to be mixed in pretty tightly.

I think the most promising things right now are TiddlyWiki and Beaker. I think that, as Beaker continues to develop, we will see something as solid as Wordpress come out. But until then, I’d stay where you are comfortable writing.

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19 Sep 2018

Reply: Ideas for Websites in Addition to Blogs

While Tumblr is a type of blog, I think it is sufficiently different to categorize differently—microblogging, tumblelogging. Simply because it generally eschews writing. And that appeals to people.

So, question for you: are you satisfied with a blog for your approach? It seems that you post links, essays and announcements generally. However, these three things are not equal. And to see your essays roll off the front page while links take their place—well, I can see myself wanting a directory of those.

Yes, you have an ‘article’ post type that shows me those essays. But even that list is not comprised of equals. I wonder if a wiki might suit these.

I also wonder if there is a new way to structure all of these thoughts that might do justice to what you are doing and assist the reader in navigating what you are doing. A way of mixing and matching the ‘blog’, the ‘wiki’ and the ‘directory’.

To me, the great failing of blogs is that it is difficult to find the beginning and the end—and I don’t think they facilitate the ‘memory’ of a discussion. A blog post is a thought balloon floating alone. You and I can follow it pretty well, because we are juggling some memories to do it—but someone who stumbles across this post will not realize what is really going on.

Anyway, this is a great post—I’ve been pretty stumped about how to preserve the wee ‘web page’ and this is a thread we’ll need to continue over time.

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Reply: Done Reading Blogs

Don MacDonald

[…] I can get done reading blogs, and creating a half-decent blog post is much harder than sending a tweet. I like to add art to mine, so there needs to be at least a photo (I prefer a drawing). But, the end result is far more gratifying. There’s something you can point to and say there, I did that. […] it turns out that removing the anti-patterns of big social also removes some major inhibitions to creation.

Ok, so if I’m reading you right here: when you move away from a crowd of people, there are fewer conversations to have—so you can decide to just go home. Is that closer?

This almost sounds like a case for making discovery difficult. We don’t want to spend all our time searching fruitlessly—if it’s too easy to find things, then we just follow those trails.

If it’s true, I wonder why the “searching fruitlessly” is something we will stop doing—while the “reading fruitlessly” is still something compelling.

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18 Sep 2018

Reply: Curated Stuff

Simon Woods

For example, I would love to see DuckDuckGo not only improve their search engine with whatever machine-lead efforts they might have but also find ways to work with the real communities of the web to reach the goal stated above.

Ok—understood. So, it seems our group here still has a lot to talk about wrt how to curate links in new ways. (The directories of old seemed really dry and pointless to me—until I started talking to Brad and seeing that directories are still everywhere, but in disguise.)

Alongside that though, continuing your line about DuckDuckGo working with the curators—I think it would also be useful to define how we would envision search participating. I’d rather have us giving them directions than have it go the other way (similar to how RSS was an initiative by bloggers, preferrable to the myriad of APIs that are doled out by the networks.)

I guess I wonder how everyone feels about microformats as part of directories. (I prefer microformats—microsub, for instance—to RSS because it doesn’t require upkeep of a separate document that ISN’T really HTML.) But I can’t ignore that microformats feel clunky and can be implemented 100x different ways…

I also wonder how human curation should play a role in search. (Like—is it possible for curators to hone algorithms—is this already done?)

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14 Sep 2018

Reply: Rebuilding the Web

Brad

The point is, everyone has some skill, idea, knowledge that is worth sharing and equally, there are other people looking for the information you have in your head and take for granted.

Yeah, hey, great discussion! Thanks for pointing it out—missed it somehow.

On your points:

  1. We, the little people, need to rebuild the web. […] This is the foundation of everything. Yes, cool—you see this at a football game when things get heated and two guys start fighting. Then another guy stands up and says, “I’ll fix this,” and he starts walking down. Oh boy. Sure.

    So, like: not only is another social media site going to solve this, but no one of us is going to have an ‘answer’. TiddlyWiki doesn’t work for me—but h0p3 and sphygmus are doing great things for themselves—and I think there are many people who will be served well by it (as compared to micro.blog).

  2. Someplace to go is actually many places built by us. Sweet! I get really excited at the prospect of more places to go.

  3. Link freely. This has the added benefit of creating a TON of noise for Google. 😘 If the tradeoff on something is “bad for bots, good for humans,” I’ll take that trade.

  4. Discovery, and search, will sort itself out, if we do #1,2, and 3. Trying to decide if I agree with this. I kind of agree with “it’ll all come out in the wash” but I also don’t think discovery gets better than Brad linking to Simon and me reading Simon.

    Once I start relying on a bot, what else is it giving me? And do I begin to get lazy with my discovery effort? And then am I isolated again?

  5. We may end up with 5, 6, 10 or more favorite places we go to search and that is good. More and more, I’m finding myself just using Stack Overflow, Pinboard and YouTube search directly. Google just does this anyway. I tend to use Google more as a glorified address bar: ‘indieweb.org author’ and click the first link. I know this will take me to Indieweb wiki’s page on authorship. (So there is a specific page I already know—basically a ‘feeling lucky’.)

Love being a part of this discussion. I am working hard on my directory to finish it—hopefully by end of October. (Again, it’s not a directory people can submit to: it’s my model for the modern Little Web Library. Just trying to get a good amount of links, categories, fun to use, all that.)

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Reply: Being on the Web

Simon Woods

Merely building posts and posts covering the nuances of these issues across a multitude of blogs… now there is your impact. Too many times I search for something and there are scraps to be found, barely any blog posts let alone useful things. I think this can change and it’s only if we’re allowing to independently stand up and say the things we believe, whilst sharing the things other people say. Sure, at some point people will create collections of these things for reference thus making it easier to access from the mainstream POV but that’s not the most important thing; rather, we must focus on the creation of this… this weird thing we used to call being on the web. Let’s get back to that.

I don’t think I connect with you and Brad quite as much on search—it’s one thing to search for ‘rotate div 90 degrees’ compared to searching for ‘aesthetically pleasing blog with poetry’. This is why I’m much more bullish on directories (blogrolls, wikis, that ilk)—if we can link to each other and describe each other to each other—that is another way to get somewhere.

Anyway, I’m not trying to convince you of my perspective, just saying that it’s cool: while you are looking for ‘useful’ and I am looking for ‘fascinating’—and in some ways I’m sure we’re both looking for both—we both want the same type of web. A well-lived-in one.

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Reply: Shoutout on Rebuilding the Web

(Strange that this didn’t show up in my ‘mentions’—wonder what else I am not replying to—)

Even aside from any larger societal impact, I can’t say that anything I have done on social media has been nearly as worthwhile. The past year, since about March, I’ve committed to spending less time on social media, and my creative output is way up.

I think this is so encouraging—maybe the most encouraging thing one can say! Can you point to what is causing this? Is it the feeling of working for yourself, rather than—as you say—giving ‘free labor’ to the CorpASAs?

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12 Sep 2018

Reply: IndieWeb Ad

Welcome! Very good work. Now we just need to hijack some totally unrelated commercials and/or Angela Lansbury jumpscare clips.

Have fun exploring the Indieweb!

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10 Sep 2018

Reply: 7 Human Edited General Web-Directories 2018

Brad

Most of the top tier directories are gone, but I found 7 directories, still alive, that have been around a long time.

This is an impressive list! Not because these are very good directories—I struggled to find any new links that were of use—but a) because they are actually still there, b) the categorization systems that some of them use are different, c) some of the most interesting parts are not the actual directory (e.g. the editoral guidelines are useful—they’ve been in this game a lot longer.)

I wonder if any web portals still exist. It was such a fad and—while I never got into them—I wonder if the idea is still plunderable. I suppose the current Twitter/Facebook newsfeed is a progeny.

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Reply: Really Glad

Oh, I haven’t used it much—my two attempts so far have been a failure. But I love the concept of leaven. I’m determined to do better with it. Your podcast is a good reminder.

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Reply: Against the Ethos

What an encouraging thing to say—thankyou for taking the time to say it. I am definitely trying to go against minimalism (and mutedness)! However, I also feel like I’m exercising a lot of restraint—this still feels quite tame. (Also looking forward to Halloween—the world’s transformation.)

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09 Sep 2018

Reply: Missing URLs and AMP

Charlie Owen

The mysterious case of missing URLs and Google’s AMP

I don’t want to get too deep in conspiracy theory, but Brad Enslen also posted a bit of history on Google’s tactics over the last decade here: https://ramblinggit.com/2018/08/when-the-social-silos-fall/#comment-451

And, actually, I don’t think it’s a conspiracy—I just think this can happen when you have 85,050 employees ‘optimizing’ the hell out of things.

I also wanted to leave a comment to say how cool it is to see the linked source code of your website—that you wrote your own Metalsmith Webmention code! I ducked away from Metalsmith because I didn’t want to add it. 👏

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Reply: Teaching as Gardening

This is wild! I was recently having a discussion with another teacher about the similarities with gardening. One of the other helpful metaphors (for elementary teachers) is that the plants are kind of in their own world. Not that we’re not in their world at all and that we don’t relate to them, care about them, lift them up—but that I think they really just see each other when it comes down to it. Their social realm is very important to them and it’s kind of alien to us, which is just how it is.

But I also get the same feeling surveying a lush garden as I do when I step back and look at the whole class.

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08 Sep 2018

Reply: Hash Tag Creative Coding

HammadB

If you’re eager to find more “creative coding” type works. Going on instagram and using hashtags like #creativecoding are a great way to find amazing work. Also twitter is a great source of absolutely mind-blowing artistic work that leverages technology. I’ve spent far too much time just browsing all the amazing stuff out there.

Ok, I did this - this is great, there are some ‘neat’/‘inspiring’ things there. A few other questions for you:

  • How do I find more hashtags? I would have never found #creativecoding - is it known to be a community or is it just an ad hoc hashtag like #lostinthehashtags (which I just made up - but which has posts!) I guess what I’m saying is - I don’t sense that these hashtags are a community - or are they?

  • As ‘neat’/‘inspiring’ as these are, they are mostly only (very small) images and (very short) clips. I ultimately can’t see myself using Instagram or Twitter much because you just kind of skim and can’t go deeper. They lack the ‘hypertext’. (This is similarly to the OP’s trouble with this post just being a simple ‘box algorithm’ - where do I go for more?

  • Most of these look like art I’ve seen on t-shirts or album covers. Dating back even to the seventies. It is still beautiful and remarkable - but I can’t help but wonder: Where is innovation happening in tech+art?

I will say that I do follow a lot of things happening in vaporwave - any idea what else is happening out there? Thank you for your time, HammadB. I am eager.

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Reply: Brad: Understanding Dat

I wonder how much you need to know about Dat. I think all you need to know is that it’s like a website Dropbox. You have a folder on your computer that contains your website—and when I visit your site I can choose to keep a copy on my machine.

So, basically, it’s like if Chrome allowed you to host a website. In Beaker you have a ‘Library’ page that shows all the websites you are also hosting.

Screenshot of Beaker Browser seeding a site.

The mouse pointer in this picture is pointing to the number 10—showing that ten folks out there have copies of Tara Vancil’s website that she is sharing.

This is the basic piece. Which is somewhat compelling.

But the amazing part is that you can actually run blogging software directly from inside Beaker. A simple version of this is dead-lite, for instance, but much more will become possible in time. (Good to see you. Have a nice weekend!)

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07 Sep 2018

Reply: An Indieweb Web Directory

Brad

What would happen if you combined a standard web directory script with Indieweb.org features like webmentions and such? I think you could end up with a very powerful tool for a directory.

Ok, sorry to be delayed in replying to you, Brad. I’ve had a broken blog for about two weeks. Rest assured, I’ve been reading along—around the time it broke, you wrote that Thank God for The Indieweb post and I couldn’t help but feel similarly, given that I started my blog around the same time.

I think you’ve got a great idea here—basically that Webmentions could be used to negotiate between two websites, to legitimize each other.

Maybe ‘nofollow’ links materialize into bona fide links once they each Webmention each other. I like that it could be started up from either side too. Someone who includes my directory in their blogroll is probably a good candidate to be in the directory.

One thing that I love seriously love about Webmentions is that they can just be easily killfiled. On Webmention.io, I can just nuke a mention and it’ll never come back. This means I don’t need any moderation tools built into my static blog, I can just use WIO directly.

So I think WIO is a great tool for a directory like this, because you could just build it in static HTML. In fact, this is what I’ve been doing with my directory—I am generating static HTML from a list of link descriptions. This allows me to easily host the directory aaaaaand now that you’ve mentioned this idea, I can hook up WIO in a few simple lines and have a built-in submission system!

So, yes, be flattered—I am stealing this/have stole. 😘

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Reply: What To Post on Indieweb.xyz?

Yes, so—post everything you can ideally!

I tend to not post small comments there. If I did, I would post them to a personal sub (like /en/kickscondor or something).

For everything else, I stick to a few topics: /en/linking is used by Brad Enslen and I for discussion about finding blogs and the future of search engines. I post housekeeping stuff to /en/xyz. So, once you start posting regularly to a sub, others are more likely to join in.

Thankyou for asking! I have had a broken blog for a week, so that’s why this took so long. 😎

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Reply: IndieWeb Ping Pong

Yeah, I think it is exciting—so much of the Web has been focused on messaging for the past decade, that it’s lost some of the overall feeling of hypertext in some ways. It feels like there is a lot of room to explore still.

For instance, I’ve run into this problem (well, this ‘problem’) where I quote something that has relevant footnotes and annotations—and it’s fine, the quote survives—but I wish it could survive the transplant better. (This is similar to the problem of posts losing all their styling when they are syndicated in any fashion.)

These discussions also are not just amorphous blobs—they have foci and intersections. Sometimes I wish there were Indieweb-like wiki pages that we could mutually edit in the spaces between the discussion. (And that anyone else could join on.)

Your thing about transactional loops: I think that’s part of what I’m trying to solve right now by moving away from datestamped links to wiki URLs. I’m envious of h0p3’s ability to refer back to pages again and again—so major updates to old pages will now come back in the blog stream. I am moving away from mere recency, maybe that will help? Thankyou for the dispatch!

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Reply: Nothing is Personal

h0p3

If you sent me your passwords or bank account information, I’d refuse to post them (and, of course, I don’t think you should test me on it, but you are free to try, even with fake information [I will reason about why you sent that kind of information outloud]). I think we can construct examples in which I would be truly silent as well, but those are quite farfetched (or so I hope!); you will have to rely upon your own judgment of who I am in such cases.

“Do not let my honesty become your enemy.” vs. “What if the secret discovered was a good one?”

Let’s also bring this in:

At last I understood that the way over, or through this dilemma, the unease at writing about ‘petty personal problems’ was to recognize that nothing is personal, in the sense that it is uniquely one’s own. Writing about oneself, one is writing about others, since your problems, pains, pleasures, emotions—and your extraordinary and remarkable ideas—can’t be yours alone.

— Doris Lessing, from her Introduction to The Golden Notebook, 1971

(Okay, time to get everyone else up to speed: I sent h0p3 a private e-mail—to determine if there was any way of privately communicating with him. I did this partly to satisfy my curiousity: he seems to post every chat log, e-mail and letter he sends—except to immediate family members that have grandfathered-in immunity—or perhaps he just defaults to public mode unless a kind of formal agreement is established.)

(I also did this to simply converse privately. Since h0p3 has settled on a dogged insistence on Wikileaking his life, I am unsure how to have a personal relationship in public hypertext with this avatar. He says the avatar is competely, realistically human—it aspires to be—and I am finding out if it is. Am I starting from a place of distrust? Well, surely. But that’s minor. I am suspicious of BOTH of us. We want to believe these pixels are us—don’t we already know they aren’t?)

(Because, most importantly, there is you. Isn’t it awful to address you during a letter to my friend? I steal time spent on answers he wants. I talk about him as a third, which sounds condescending, simply because he is not us. And you could be anyone: an other, likely a reader, an agent.)

(Maybe it’s not about us at all. Maybe it’s about you. Ours is just a performance. And so there is no us, but just you.)

Let me start by responding to your brother:

He read the kickscondor letters in full (I didn’t realize he’d read it all, which is cool). He pointed to a shift in the tone of the writing. He said we were jerking each other off at first and then got to the meat’n’potatoes. He thinks I’ve been tested in the last section of the last letter. I think he’s right.

Heheh—it’s very true! I think there is a kind of jerking-ones-anothers-off process that has to happen before you’ll honestly read each other’s words, though. But there’s no doubt: I’m the one being tested here.

You have filled a wiki so deep that I can’t see the bottom—and it lands like a monolith; it looks like your beliefs, it is a flashing rainbow conduit. But I am still ripped pieces of paper that blow around in the wind and are lost in wild valleys. I think these things will stay this way.

Yes and HELLO to your brother! How can I send him a private e-mail? It’s very important that it be private. It is like when two of my friends meet and later I find them muttering unintelligibly by the bookcase. God—what are they saying?? What if even the Real U.S. Government and Amazon Alexa can’t seem to make it out??

I am going to publicly think about you, who you are, how you think, what you say, and what you do. Do you wish to be so open and honest? Do you really want to interact and be in contact with me? In this context, informed consent is your responsibility. Do not let my honesty become your enemy. You do not have to wrestle with me, but I hope you see I’m actually trying to radically cooperate with Humanity. How will you treat this naked madman in the desert?

(This bit is not from the letter I am replying to, but from Contact h0p3. I’m not sure I read the whole thing previously, but his rules of engagement are clearly spelled out. Please read this if you intend to strike up a conversation. I wonder if we could all use a page like this—somehow I can’t see myself doing this, as it feels in close proximity to a sign my neighbor has on her door: “DO NOT BRING DRUGS, ALCOHOL OR ANY ILLEGAL MATERIALS OR SUBSTANCES INTO THIS HOME!!” Such a note has the fragrance of a previous encounter all over it; there is a distinct banishment of the “you do you” from 2018—which may not actually exist.)

He concludes the letter:

In part, I aim to be so public simply because I don’t trust people in private. I think very poorly of most human specimens (including many versions of myself), but I desperately hope we find a way to become good human beings. I hope to protect and enable the percentage of legitimate altruists who exist in humanity; they deserve every ounce of my effort. They are truly constituted by Reason.

I play with my cards face-up on the table. In a way, I hope it has a kind of ripple effect in spreading awareness of what it means to be ourselves […]

Ok, so this I get. It seems feasible that a public performance of the private could shake out some disasters. It’s possible that we need everyone to weigh in on this. And we already have the benefit of your pupil Sphygmus (a reader like you out there—us—who stepped out of the ‘real’ to join us here).

On the other hand, this now adds infinite perspectives to demonize these conversations, to shame them, to hate them. I’ve honestly never had a chance in my life for someone to hate one of my private conversations—except for the other person (and even that has happened far too frequently.)

I think if I were to develop a seed of my own personal code (to stand in contrast to yours,) it is that I believe in well-mannered pseudonymity. Bonhomminity.

Secrets get such a bad name. We always discover horrible secrets. Thousands of them, stretching all the way up to the Pope himself? Or a document circulating the CIA describing a series of golden showers…

What if the secret discovered was a good one? And what if it stayed secret? Like a good joke kept to one’s self. Or between my love and I. Never to be sold off in a book or blog—kept inside.

I don’t imagine much is lost on a public inside joke? This is probably what Dan Harmon has with all of his fans. They all get to be in on it. It is the token of the group now. It is a special key. Millions may have the special key.

(Following is not a h0p3 quote.)

Do not sound a trumpet before thee, as the hypocrites do in the synagogues and in the streets, that they may have glory of men. Verily I say unto you, They have their reward.

Not considered: your private joke is heard by angels in Heaven!! (Sigh, further surveillance systems…)

Actually I quote this because there is something to it—the reward of public recognition does seem to pollute the pure giving of a private communication.

And what’s more: you have no idea whether I talk of you. Whether you get zero conversation hits or thousands. What I have read of yours. How I react to it—what I really think of you. (Do I know what I really think of you? Do I know when I’ve conversed about you?) How would it be helpful for either of us to know these things? And, worse, to know them forever.

Picture two computers scanning each other ports. These two daemons find each other and swap drive contents, RAM, video card states. Then they blink: blue, blinking red or bright white. They understand each other!

But what does it matter? Perhaps they can part ways now—there is no more data to exchange.

I must ask: do you simply FO desire to encourage me, or do you SO desire to FO desire to encourage me? The difference matters. There is a tension in this letter I’ve not been able to peel apart.

Boy, I don’t know yet. I like to think it’s way down—like zed order enouragement.

I think this only happens out of motivations like idle curiosity, amusement and meandering conversation. Which is to say: the greatest, most noble pursuits I can imagine. Convincing you IS NOTHING compared to these treasures!!

I hope to find: not truth, not love, not happiness, not even meaning—but ‘fire’.

And I guess I do hope to have gratitude, which is greater than happiness. And I think a desire to have immense gratitude for the idle curiosity, amusement and meandering conversation—that would be FO for me. I don’t know where that puts us. I am very serious about this. (And I am not just saying ‘I am very serious about this’ as a joke—it’s all very serious!)

Building trust and real relationships is exactly why I reveal myself to you and everyone else. I want people to see how I conduct myself and my relationships across the board.

My dad talks this way—to him, a conversation is a sacrament. Sometimes I am with him on that.

But other times I want to be in the dark of night with friends, carefully putting a pie in the road, as an example, since it is very spiritual to do so. Or eating different leaves and needles and recording reviews of the taste.

To simply swing alongside someone on a swingset is miraculous. To use one of those air seesaw things—where you sit across from each other and swing back and forth—I did that with my nephew a few weeks ago and he was wearing a hat that had a LEGO texture on it. He could have attached to a hell of different bricks! The feeling of amusement and ‘fire’ was there.

Of course, my worry about “how it feels” is that emotions can betray us. It’s very easy to confabulate. It’s a realm where I aim for reason to reign as much as possible.

Ok so three primary facets where we graph as opposites:

  1. You vaunt transparency; I side with opaquery.
  2. You look for your chosen; I would like to eventually find everyone.
  3. But most of all: you center on the rational and I fall in with the heart.

The unreasonable. The supernatural. The stuff of imagery. Perhaps symbolism is there, between us. Just as you fear an emotion betraying you and guiding you into delusion, I fear needing to act on perfectly rational orders that betray my heart—that go against my experience of the world. (Sloppy sloppy work, Kicks! Why am I rushing to codify someone? I think what’s happening is that I’m seeing this dogmatism for transparency on his part and so I’m rushing to ascribe these other dogmatic views—rasfarasfaaaaplagdaaaaahnono, no, so I don’t really care about this part of the letter—in a way this serves to show that I was wrapped up much more deeply in the visual part of this thing and rushing the text. As he has already said in reply: “I worry you’ve not carefully represented my claims.” Yes! Can I rewind slightly? I don’t think the head-to-headedness of this part of the correspondence needs to be here—I have undermined connecting in favor of spiraling. Emotion (or gamesmanship or something) has scattered the ripped pieces of paper. Oh to be pure and kind as Sphygmus, help me, Sphygmus!)

Because of the events of my life, I am close to people who have been in unimaginably horrifying situations. It’s not that they’ve lost a child. It’s not that they’ve lost a spouse or that they’ve tried to kill themselves—it’s that they’ve lost their whole family. Everyone they held closest died. (Usually it’s a parent who lost their spouse and children—there are more people in this situation than you would think.)

Let rationality guide you through that catastrophe! (This is assinine. I think I got worked up for some reason, not because of a disagreement with you but because I got passionate and spiraled. I mean this is proof of the danger of emotion—tempering it is a challenge for everyone.)

I will need to stop there. It starts to feel exploitative to talk in this way—to use their tragedy to make my point. But there are also stories that I want to talk about down the road, because they have happened in such quiet, without the notice of society—and maybe I see a reason to write them, because they have ‘fire’.

Swinging on a swingset is god damn vital! (Shut up. I don’t like that this comes across as a heavy-handed point to be made. Be light-handed. Always let the hand rise into the atmosphere.)

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06 Sep 2018

Reply: Pinboard Serendipity

Jeremy Cherfas

Very interesting read; I too didn’t realise quite how effectively Google sucked all the fun out of the web, even though I was there at the time. Pure serendipity to read your comment about Pinboard and reread this talk from Maclej on the same day. http://idlewords.com/talks/fan_is_a_tool_using_animal.htm

Great talk! Reminds me of some of Brad’s comments about the sci-fi/horror directories he’s worked. I’m sorry for the delay in responding (and your Webmention showing up here)—my blog has been broken for a week.

Enjoy your conference. “Food and Communication”—wild! You should write about it…

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29 Aug 2018

Reply: Linkfarmville

Brad Enslen

Rumors spread that large link pages (for surfing) might be considered “link farms” (and yes on SEO sites they were but these things eventually trickle down to little personal site webmasters too) so these started to be phased out. Then the worry was Blogrolls might be considered link farms so they slowly started to be phased out. Then the biggie: when Google deliberately filtered out all the free hosted sites from the SERP’s (they were not removed completely just sent back to page 10 or so of the Google SERP’s) and traffic to Tripod and Geocities plummeted. Why? Because they were taking up space in the first 20 organic returns knocking out corporate and commercial sites and the sites likely to become paying customers were complaining.

Holy smokes—didn’t realize this was actually how this played out. I now see more what you mean by ‘sucking the fun’ out of Web1. Thankyou for spelling that out. Haha, now I am angry!!

So, is getting rid of the ‘Gates of Marlborodor’ good? I think it’s similar to my feelings about Yahoo!—I don’t miss having to click down seven levels to get to the ‘smoothies’ topic. (Or not finding it in the hierarchy at all!)

The trouble is: only a human can say if the ‘Gates of Marlborodor’ was useful to them. Google may not be able to tell the difference between a link farm and a link boutique, but a human can—and humans are the ones we’re trying to connect here, not the Baidubots!

One interesting thing to me: as I have been digging and scraping around for sites, using all the search engines and feeds I can find, there is one that I am finding surprisingly useful. The search on Pinboard—which is a bookmarking site, the heir to Del.icio.us. If you type in ‘smoothies’ there, you are going to get much more interesting results.

And it strikes me: I think it’s the closest thing we have to a human-edited search engine! Think of that.

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PLUNDER THE ARCHIVES

This page is also at kickssy42x7...onion and on hyper:// and ipns://.

MOVING ALONG LET'S SEE MY FAVORITE PLACES I NO LONGER LINK TO ANYTHING THATS VERY FAMOUS

glitchyowl, the future of 'people'.

jack & tals, hipster bait oracles.

maya.land, MAYA DOT LAND.

hypertext 2020 pals: h0p3 level 99 madman + ᛝ ᛝ ᛝ — lucid highly classified scribbles + consummate waifuist chameleon.

yesterweblings: sadness, snufkin, sprite, tonicfunk, siiiimon, shiloh.

surfpals: dang, robin sloan, marijn, nadia eghbal, elliott dot computer, laurel schwulst, subpixel.space (toby), things by j, gyford, also joe jenett (of linkport), brad enslen (of indieseek).

fond friends: jacky.wtf, fogknife, eli, tiv.today, j.greg, box vox, whimsy.space, caesar naples.

constantly: nathalie lawhead, 'web curios' AND waxy

indieweb: .xyz, c.rwr, boffosocko.

nostalgia: geocities.institute, bad cmd, ~jonbell.

true hackers: ccc.de, fffff.at, voja antonić, cnlohr, esoteric.codes.

chips: zeptobars, scargill, 41j.

neil c. "some..."

the world or cate le bon you pick.

all my other links are now at href.cool.