#bizarre
I use three main tags on this blog:
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hypertext: linking, the Web, the future of it all.
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garage: art and creation, tinkering, zines and books, kind of a junk drawer - sorry!
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elementary: schooling for young kids.
#bizarre
I use three main tags on this blog:
hypertext: linking, the Web, the future of it all.
garage: art and creation, tinkering, zines and books, kind of a junk drawer - sorry!
elementary: schooling for young kids.
Track ripper extraordinaire of the imaginary video game kingdom.
It’s possible that you’re reading this thinking, “Okayyyy, uh Kicks? You can dig up rare TiddlyWikis and out-of-the-way neo-cities, but you’re just discovering SiIvaGunner??” Hey, I’m sorry! I don’t know who is reading this or what anyone knows or what’s IMPORTANT OKKKK!!
Let me start by saying that I’ve been asking around in kid circles - and it’s not unlikely that they know SiIvaGunner. HOWEVER. They don’t really know SiIvaGunner - they often have just heard the video game soundtrack “rips” - high quality rips - posted to the YouTube channel. And they uncritically accept them - videos such as “Horse Race (Extended Mix) - The Legend of Zelda: Ocarina of Time” - as nothing more than high quality rips.
Of course, if you happen to continue down the SiIvaGunner storyline - which is easy to do, since a dozen new videos might appear each day - you can end up at videos like: “Main Theme (Anniversary Edition) - Wii Shop Channel” or “Title Theme & Ending - 7 GRAND DAD”. A “rip” can be a mashup, a remix, a medley, mixed-up sentences - stuff like that.
Of course, the channel has fought through several takedowns over the past six years - since it purports to be unironically infringing copyright and distributing unedited tracks.[1] (A cover story which plays into its “fake out” strategy.)
Anyway, SiIvaGunner isn’t a single person. There are about 300 active contributors - more than 900 people having contributed to the catalog.
So this is obviously a deep well to try to dive into with a massive Discord channel and wiki and network of YouTube and Twitter accounts, regular livestreams and ARG events. I think my favorite place to point people is the GilvaSunner Bandcamp page, which regularly releases new compilations assembled by the collective.
There is a wider “high quality rips” scene - like CrystalForce is a great example I recently stumbled into.
If you’re interested in more backstory, look for interviews with Chaze the Chat.
The wiki also says for “misleading content”. It’s a rough time for fiction. ↩︎
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Anything can happen.
Episode one of this podcast is a rereading of the ‘Cars 1’ movie script. Episode two is Squiddo and sister explaining every character in the Danganronpa universe. (Doesn’t matter if you know anything about that - 1. they will teach you from the ground up and 2. they mostly talk about restaraunts.)
Most of the time you can’t hear what’s being said bc the mic is too far away. This is a recently discovered podcast recording technique that is the FINAL discovery unlocked in our planet’s World Technology story line. Squiddo is ‘known’ for the Secret Memes Vault playlist.[1]
So yes this kind of podcast is like something you’d find on a cassette tape at a thrift shop. That these recordings are now available to the general public is a boon and an artifact. The world thanks me for finding the courage to unearth these.
It’s my honor to link to something this lowbrow. No one else offer this kind of comprehensive package.
Insofar as it is possible for one to be known for their playlists. ↩︎
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(nicked from chameleon:) Possibly the most raw, rage-filled role-playing game—designed to unhinge players by lying to them and deluding them. It’s a psyop on your friends. Cool aesthetics.
Ok, thanks to chameleon, here’s normality.pdf—good luck reading through the splatters and commas, , , , . BWYT M BWYTJ XXXDXXX. (Although, the poem “THE MAORI JESUS” by James K. Baxter is included and can be used as a character module. I don’t know what a ‘sad old quean’ is.)
The two authors began on a two-year journey of rage and frustration at the state of the world, and the reactions of those around them to their concerns. We became filled with hatred toward the roleplayers we encountered at local games and conventions, and so we set out to hurt them. To make them cry. We very nearly succeeded.
I can’t play this because it’s so brazenly misanthropic—but my love and appreciation for humans truly eclipses any of that—this is just another marvellous mess in the pile of our history, something to wrap our fish in—just as Van Gogh’s paintings were first repurposed. (Little-known fact from the pdf.)
It’s interesting to me that one of the goals of this game is to strip away ‘fluff’—aloofness and oneupmanship at the table, social veneer, the kinds of things perhaps the Joker film was on about—and to immerse characters in the game by ‘scrupulously avoiding a coherent setting and/or meta-plot for the game.’ In doing so, it begins to feel very postmodern, because there’s a kind of ‘breaking the fourth wall’ kind of thing being done to try to blur the border of the fictional and the real.
At the same time, it definitely doesn’t see itself that way—it seems to see itself as completely primal. And I think you could get there, perhaps, if a group playing the game could let things completely devolve. (Though I think such a thing couldn’t truly be done without real violence, right? Otherwise, you’re kidding yourself.)
It’s also fun to look at the whole thing as a parody of niche RPGs or zines. I think it would be fun to play this ironically, too. I know that sounds degenerate, but yeah, that’s exactly the point. (Signed, Ironic Waifuist Sad Old Quean.)
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Marker art and other sites found among the ‘crazy cool’(?) group.
This longscroll website full of marker art is a perfect pickup for my ‘dank’ tag. Some of these drawings of Maria’s are even animated! Annnd there is this one drawing down the page of some blue-violet fat-bodied nun with a flesh-colored bat face who is slurping this long noodle of electricity out of the bum of a vermillion pair of disembodied legs. This is like the most interesting marker page I’ve ever seen.
I got this off the ‘crazy cool websites’ Facebook page. Their website seems to be down—but there is an accompanying interview site that’s cool.
Some other links that caught my eye in their collection:
Ok, sorry to be noisy today. Forget I was ever here.
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CRT blog of odd things—and its connection to philatelicism.
(First, let me mention that I obtained the directions to the Cardhouse ‘website concept’ from a massive linkspill that is seeping out on this thread on Metafilter. It is a long list of blogs that have been running for ~20 years. It’s very helpful if you are curious what ‘classic’ blogs are still alive.)
While this is a very interesting blog on its own, I am particularly interested in a few pages for a few reasons:
History: A long, illustrated self-history of the blog that is almost like a time capsule on a single page. It catalogs the snapshots of the design—it’s surprising that more sites don’t do this. Perhaps because it’s perceived as navel-gazing? I think it reflects the rest of the Web, too, though.
Phoneswarm: A sub-blog covering unusual telephone booths. Also: X Magazine, Macros2000. I like that these temporary projects are littered throughout the site—they are fun to explore on their own, partly because they are done.
The Archive: Seems haphazard, but is actually very well done. A directory—similarly, the links page is the old ‘portal’ style directory. Which seems like it could be revived as well.
A secondary site The Erstwhile Philatelic Society is also really cool. It is best explained by the application for membership.
From the FAQ:
- What is with the vert|ical ba|rs in the mid|dle of words?
The problem with search engines is that they allow people to key on words that have nothing to do with the larger web page. People are coming to pages for the wrong reasons – by splitting up certain words in certain pages, people won’t mistakenly come to these pages. That’s the theory, anyway. Apparently there is a rag-tag effort to get this sort of functionality parameterized for search engines, but I fell asleep halfway through the article.
This is good technology.
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I don’t know what it is—but this blog has stuck with me. I can’t even trace the links I went through to get here. (I think I started at either Nannygoat Hill or jill/txt—which are also very interesting blogs that I’m still trying to sort out.) I originally started at the post where a guest author talks about seeing Cocteau Twins for the first time—and then I just started occasionally stopping in to read back. There are some really cool video shorts linked throughout this blog.
I don’t know what you call it when you were nostalgic for times and places that you never experienced—sometimes I can feel this the minute I start some old Russian sci-fi flick or whatever Iranian ‘slice of life’-type footage I happen upon. But this blog has that kind of sensation. (I’m also wondering why I’m just linking to blogs and Tumblrs like these rather than commenting on them and trying to strike up a chat. I’m short on time lately—I need to remedy this.)
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Weekly horoscopes that are genuinely invigorating and now I know what to do with my powdered nun corpses.
This feels related to some of the surrealist links that I’m beginning to explore—this is a Tumblr of imaginative horoscopes that has totally drawn me in. Half of what I link to are personal blogs that are confessional or kind of, I don’t know, internally exploratory; some of you might think that a blog like this isn’t very personal—it’s just humor, or maybe even could be thought of as externally exploratory.
However, I view this as a kind of prism into the author’s internal life and can be quite personal as you dig in. The author here is CARETAKER—Dane Asmund, who has a number of interesting projects—such as the Cosmic Mirror Games RPG and DOGS the gaem.
Scorpio: Nothing will ever be the same, the march of time is impossible to stop and boy is that a bummer.
Capricorn: Nobody likes crowds, so that tear gas grenade was for everyones benefit.
Cancer: Careful not to become consumed by the things you struggle with, it is easy to mistake the work for the reward.
Anyway, this has me on the prowl for more zodiac blogs—and for intriguing Tumblrs, to some extent—such as The Creature’s Cookbook, where an anthropophagic cryptid goes to blog.
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'The splinter group on the other hand, the Agama Expedition, is more eclectic as it combines surrealist games and creativity (and a group exhibition) with anarchist activism, makes a brief plunge into Romanticism, considers situationist theory; and it takes part in another part of the surrealist movement, the “dissident networks” flourishing this decade, thereby eventually merging with the “Dunganon” activity in Skåne, before fading out together.`
— p.2, EXPERIENCE.pdf, 2010
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A corporeal directory to another world.
In my travels about the hypertext kingdom, I happened upon a rare portal[1] to a so-called ‘Zymoglyphic’ world—islands of Earth ‘formed by the upwelling of molten magma from the underworld.’
I had not ever known of the creatures of this land! We talk of museums, libraries, cataloging and labeling here, do we not? Therefore, I awkwardly flailed out in my typical shock-curiosity to Jim Stewart—the Museum’s curator.
kicks: I recently discovered an interesting local museum a few blocks from my neighborhood after being unaware of it for five years. I drove behind it all the time and would have immediately spotted it had I driven on the other, parallel street. It took me five years to drive on that other, parallel street.
So what are your visitors like? Unsuspecting tourists? Neighbors that happen to drive by? Pilgrims?
jim: All of the above. Probably the majority of visitors are tourists and locals looking for “offbeat” things to see and do.[2] Some are specifically interested in personal museums, natural history, curiosity cabinets, or a rust-and-dust aesthetic. I do get a fair share of people just passing by as well and have met a lot of neighbors this way.
kicks: So, did you have any idea in mind of who you were looking for when you started the museum or were you just glad to have anyone and everyone?
jim: At first I was just doing it for myself, then when I went public I was happy to have anyone appreciate it. Nowadays (after 2000 visitors) I’m mostly looking for the people interested in a more in-depth connection with the museum.
kicks: I love the guide[3] you have, advice for curating your own museum. In a way, I took it as advice for the blog-hunting I do. You even have a section on ‘outreach’—I have a little group of online friends where we call this ‘find the others’—the pejorative word here might be ‘self-promotion’—to what degree do you engage in this kind of thing for the Zymoglyphic?
jim: Very little at his point. The blog has not seen an entry in years and the twitter account is inactive. Events are announced on Facebook and I have a mailing list that gets used 3 or 4 times a year. People who visit leave reviews on review sites and photos on Instagram, and I am on a lot of “quirky things to do in Portland” lists. The place is small and can’t really accommodate many people. Also, I think the fact that this is a physical place and not just an online presence puts it in a category that generates its own publicity.
kicks: Perhaps the museum is ‘complete’ and has no need of updates? Or is it in constant flux—are you always cooking up new exhibits?
jim: The basic format seems pretty stable. I’m working on a lot of different but related projects, such as a library and computer-generated aquarium.
kicks: You also have this profound quote in the book: “Once the museum is complete, it could become a private sanctuary for contemplation, since the museum will be like being inside your own subconscious mind.” This reminds me of the work at philosopher.life—where a fellow is cataloging his life and correspondence in a huge singular oracular HTML file. So when someone visits, are they able to absorb you through this portal—almost as if it is a stand-in for you—or is it as mysterious to you as it is to them?
jim: Very hard to say exactly what other people get out of it. Many are quite enthusiastic I think mostly they are finding something in themselves that they had not been able to express in just that way. I know from personal experience that it is possible to get a lot out of a work of art and not be able to relate to the artist as a person.
kicks: Haha, I love the idea that someone could relate more to the Zymoglyphic Mermaid[4] than to you. Well—and you say on the website that you like to give the visitors their space to peruse and not be badgered or guided through. (Have I got that right?) Does it matter to you what the effect of the museum would be on somebody?
jim: Yes, the museum is on the second floor and I just send people up when they come in (even if they want a quick introduction). When they come back down is when I engage them about their reactions (if they seem open to it) and answer questions. I’m definitely interested in what their take on it is, and what it means to them. I keep track on the web site of all the reviews, blog mentions, etc. It’s especially meaningful if someone gets inspired to do something similar.
kicks: Having lived in towns with small museums, junk art houses, religious shrines—you have given your city and the world a great gift.
The Zymoglyphic Museum. ‘The Zymoglyphic Museum’s primary mission is the preservation of the unique natural and cultural heritage of the Zymoglyphic region. In addition, the museum hosts a variety of special collections and online exhibits related to zymoglyphic themes of natural art, celebration of decay, and museums as curiosity cabinets.’ ↩︎
Creating and Curating Your Own Personal Museum. Furthermore, the publications contains a myraid of other enchanting documents, such as the Museum’s Manifesto and A Guide to the Collections. All very worth your time. ↩︎
‘Somewhat of a spokesmodel for the museum […] its sinuous body and delightful smile grace the museum shop’s drinkware, clocks, and clothing.’ More. (See also: Jenny Haniver.) ↩︎
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Previously known as ‘1080.plus’, this tri-dimensional VJ chat portal is still real—it is real.
What was a very underground tri-dimensional environment for exploring YouTube videos and playing Blackjack(?) together—hell, who knows what you’re SUPPOSED to do here—is now even more underground and abandoned now that it reappeared without any fanfare. I ADORED this place and went looking for it many months ago. Well—it’s back and now seems to have an otherworldly sister site i1os.
Strangely enough, the site was profiled in New York Magazine where the Canadian author (Michael Leonard) says 1080plus is “a project to make a multiplayer theater experience where you could join friends in a virtual world / virtual theater staring at the same virtual silver screen together, and talking about it as it plays.”
Ok, finally, something has survived of the old world.
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The name is odd; the campiness is tuned in.
So this thing starts off as a kind of old-school banner ad but—scroll, scroll—it’s a link directory! Pretty sweet—I like that it’s just a bunch of tiles and you have to wonder what’s behind them. (And wondering about its creator.)
Like here’s a personal homepage that was crammed in there. The counter says only 40 people have been there. And you might say, “What is even there? Why would I even spend time here?” Is bouncy text not enough for you? Is being the 41ST PERSON not enough??
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I ran across this site while out link hunting. Since I’m not planning to include software-related links in my directory—since business and software already have many directories—I will post it here. There is a discussion of this site on a blog called esoteric.codes, which has been a second fascinating discovery!
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A neural net/A.I. kind of thing writes a Christmas song. I think I like the pop song even better. “I’d seen the men in his life, who guided me at the beach once more.” The vibe reminds me of a sterile, eyes-don’t-close version of The Shaggs.
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Another one of those vids from the console hackers that inspires true joy — an SNES hacked to bring us Super Mario Maker. Watch what happens when the reins are handed over to Twitch chat.
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I often have the students concoct their own story problems. I highlight the most insane.
I often have the students concoct their own story problems. Lately, I’ve been using a tablet-based drawing tool along with some stickers from Byte. (I would love to use Byte—but it doesn’t live up to COPPA.)
One kid came up with the pictured story problem. Pardon the grammar—we didn’t proofread these.
To clear this up: the lemon is struck by lightning 117 times each day! This lemon also appears to be alive, unlike the unfortunate turtle and teacup that found themselves stuck on the same hillside.
He is also probably actually a lime. How would that be—to have your key identity discarded during this defining moment? Maybe this is that elusive lemon-lime that the soft drinks always talk about.
Clearly we are dealing with a tough fellow here—an affluent, though morose, lemon-maybe-lime. We all hurriedly dashed out the answer so that we could know exactly how many strikings this poor citrus had endured! It was a tough four days.
Now for this one.
I asked the student, “Will the hobo still blow the monkey up after he spends his $40,000?”
He said, “He’s going to blow him up no matter what.”
Wealthy monkeys, don’t do business with hoboes! Especially hoboes trafficking 18 mil in explosives! That seems suspicious to me.
The last story problem I want to mention never actually materialized, but this next one is a math-in-feelings problem.
It went like this:
(Student who has been at the counselor’s office arrives late for the activity.)
Me: “Ok, (Student). We’re coming up with story problems.”
Student: “Oh, I know what mine is!”
Me: “Let’s hear it.”
Student: “Ok. There are two guys. And they’re neighbors.”
Me: “Sounds good.”
Student: “And they hate each other in a hundred different ways.”
Me: “Oh, wow.”
Student: “But they love each other in a hundred different ways.”
Me: “So they cancel each other out.”
Student: “No, so you take all of their feelings—how many feelings all together do they have for each other?”
One of the kids next to us goes, “Four hundred feelings!” jubilantly.
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This page is also at kickssy42x7...onion and on hyper:// and ipns://.
glitchyowl, the future of 'people'.
jack & tals, hipster bait oracles.
maya.land, MAYA DOT LAND.
hypertext 2020 pals: h0p3 level 99 madman + ᛝ ᛝ ᛝ — lucid highly classified scribbles + consummate waifuist chameleon.
yesterweblings: sadness, snufkin, sprite, tonicfunk, siiiimon, shiloh.
surfpals: dang, robin sloan, marijn, nadia eghbal, elliott dot computer, laurel schwulst, subpixel.space (toby), things by j, gyford, also joe jenett (of linkport), brad enslen (of indieseek).
fond friends: jacky.wtf, fogknife, eli, tiv.today, j.greg, box vox, whimsy.space, caesar naples.
constantly: nathalie lawhead, 'web curios' AND waxy
indieweb: .xyz, c.rwr, boffosocko.
nostalgia: geocities.institute, bad cmd, ~jonbell.
true hackers: ccc.de, fffff.at, voja antonić, cnlohr, esoteric.codes.
chips: zeptobars, scargill, 41j.
neil c. "some..."
the world or cate le bon you pick.
all my other links are now at href.cool.
Reply: W0T A C00L SITE
Times like this, it sure pays to have your depth of knowing what’s out there—YOUNG-HAE CHANG HEAVY INDUSTRIES is definitely a classic. One that you’ve now introduced me to. I finally took the time to browse it. What an inventive take on a blog. (Or on poetry?) Since 1997. My humblest thanks, Joe.